20120417 Rabih Mroué - The Inhabitants of Images, photo by Vicotr Nieuwenhuijs (5)

Rabih Mroué, born 1967, lives and works in Beirut. Mroué is an actor, director, playwright, visual artist, and a contributing editor for The Drama Review (TDR) and the quarterly Kalamon. He is also a co-founder and a board member of the Beirut Art Center (BAC), Beirut. His complex and diverse practice, spanning different disciplines and formats in between theater, performance, and visual arts, has established Mroué as a key figure in a new generation of artistic voices in Lebanon. Employing both fiction and in-depth analysis as tools for engaging with his immediate reality, Mroué explores the responsibilities of the artist in communicating with an audience in given political and cultural contexts. His works deal with issues that have been swept under the rug in the current political climate of Lebanon, connected to the enduring marks left by the Lebanese Civil War as well as more recent political events.

He is a fellow at The International Research Center: “Interweaving Performance Cultures”/Freie Universität- Berlin, 2013/2014.

His works include: Riding on a cloud (2013), 33 tours et quelques seconds (2012), The Pixelated revolution (2012), Photo-Romance (2009), The Inhabitants of images (2008), How Nancy Wished That Everything Was an April Fool’s Joke(2007); Make Me Stop Smoking (2006); Looking for a Missing Employee (2005); Look into the Light… (2004); Who’s Afraid of Representation? (2003), Biokhraphia (2002); Three Posters (2000) and others…